Alice Speilburg [SOLD OUT OF PITCH APPOINTMENTS] is a literary agent and founder of Speilburg Literary. Alice has worked in book publishing since 2008. She is a member of the Association of American Literary Agents and represents narrative nonfiction and commercial fiction. Her first editing gig was on the news desk of her college daily, and she is still drawn to compelling nonfiction stories, especially those written by journalists, that deepen our understanding of culture and society. In fiction, she loves a complete immersion read that takes her to another world through the eyes of unconventional characters. Alice previously worked at John Wiley & Sons, and Howard Morhaim Literary Agency. She has worked with bestselling and award-winning authors, literary and professional societies, and branded content. She spends her weekends hiking with her husband and two sons.

In fiction, she’s looking for genre novels — historical, sci-fi, fantasy, mystery, horror, or adventure. Within that, she’s interested in historical novels from fresh and unique perspectives, women’s fiction that has thriller and/or horror elements, high-stakes mystery novels with female protagonists, fantasy that imagines fresh worlds with non-Western roots or fantasy that springs from newer American folk magic (especially Appalachian), sci-fi that explores the line between progress and corruption. “I like darker elements, especially when they’re woven deeply and subtly into the atmosphere of a novel.”

“In particular, I’d like to see unconventional narrators in overlooked settings, like a BIPOC woman who runs a car repair shop in northern Wisconsin, or trans man who sings in the church choir in the bible-belt South. Settings in the South or in so-called flyover country are rich with complex people and stories, and I’d love to represent more novels that showcase this.”

In nonfiction, she’s looking for cultural narratives, as well as paradigm-shifting books that explore how we live and think from a fresh perspective. Her favorite subgenres in nonfiction include microhistory, nature, and pop science written by journalists and academics. “I’m also interested in untold histories of incredible women, travel/adventure narratives, culturally-engaged history narratives that look at how we came to be where we are, music books that go beyond the basic biography narrative, environmental/conservation narratives, true crime.”

Across the board, she’s looking for an inclusive cast of characters, across gender, sexual orientation, race, religion, and mental health spectrums.